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Grey Towers Castle

Home / About Arcadia / History / Grey Towers Castle
Home / About Arcadia / History / Grey Towers Castle
Grey Towers Castle during the day.

History

  • Grey Towers Castle
  • Beaver College to Arcadia University
More in: History
  • Grey Towers Castle
  • Beaver College to Arcadia University

CASTLE FAST FACTS

Constructed in 1898, Grey Towers Castle was originally wealthy sugar baron William Welsh Harrison’s family home.

Architect Horace Trumbauer, who also designed the Philadelphia Museum of Art, drew inspiration from Alnwick Castle in England.

From Chateau to Sugar

Horace Trumbauer
Horace Trumbauer, Architect

In 1881, William Welsh Harrison, the 31-year-old co-owner of the Franklin Sugar Refinery, purchased the Rosedale Hall estate in Glenside. After buying neighboring properties, he eventually acquired 138 acres. By 1891, Harrison decided to enlarge the main house, add a gatehouse, and improve the stables. For renovations, he turned to a 23-year-old architect, Horace Trumbauer, who would go on to gain renown for signature buildings such as the Philadelphia Museum of Art.

In January of 1893, a raging fire destroyed the main house of Rosedale Hall, and the family fled to the stables for refuge. Harrison called on Trumbauer to build a new home on the site of the old building. The architect planned for a grand structure inspired by, but not directly copied from, Alnwick Castle, the medieval seat of the Duke of Northumberland in England. The new residence was estimated to cost $250,000.

By the end of 1893, work on what would be called Grey Towers Castle was well underway. Greystone was quarried in nearby Chestnut Hill, and Indiana limestone was crafted into exterior trim for doors, windows, and other elements. Local craftsmen were called upon for the vast amount of hand-carved woodwork involved in the interiors. The decor of the principal rooms represented French styles dating from the Renaissance through the age of Louis XV.

The Castle Interior

The Grey Towers Castle was declared a National Historic Landmark in 1985. housing 54 tapestries crafted during the 19th century.

Greys Tower Castle Foyer view mezzanine looking down at staircase
Greys Tower Castle curved ornate ceiling with sky lights
Interior shot of a lampstand in Grey Towers Castle
Greys Tower Castle interior room with ornate ceiling and chandeliers
Mural in interior room of Greys Tower Castle
Artistic room in Greys Towers Castle with ornate mirrors on the walls and painting on ceiling
Greys Tower Castle Foyer view from staircase
Greys Tower Castle Foyer view mezzanine looking down at staircase
Greys Tower Castle curved ornate ceiling with sky lights
Interior shot of a lampstand in Grey Towers Castle
Greys Tower Castle interior room with ornate ceiling and chandeliers
Mural in interior room of Greys Tower Castle
Artistic room in Greys Towers Castle with ornate mirrors on the walls and painting on ceiling
Greys Tower Castle Foyer view from staircase
/ 7

In the Great Hall, which rises three stories to a grand barrel vaulted and gilded ceiling, the Grand Staircase leads to a large landing, which contains the Music Room.

The Drawing Room is now commonly referred to as the Rose Room.

All the tapestries in Grey Towers were provided by William Baumgarten & Co, Inc. of New York City. On each floor there is a balcony which rings the Great Hall, and tapestries line all of these spaces.

The ceiling of the Mirror Room was painted by François Lafon, and depicts the four seasons as women, accompanied by cupids, with the path of the Zodiac behind them.

The massive twin mantles in the Great Hall are interpretations of a Renaissance mantle in the Salle des Gardes, in the Francis I wing of Château de Blois.

/ 7

In the Great Hall, which rises three stories to a grand barrel vaulted and gilded ceiling, the Grand Staircase leads to a large landing, which contains the Music Room.

The Drawing Room is now commonly referred to as the Rose Room.

All the tapestries in Grey Towers were provided by William Baumgarten & Co, Inc. of New York City. On each floor there is a balcony which rings the Great Hall, and tapestries line all of these spaces.

The ceiling of the Mirror Room was painted by François Lafon, and depicts the four seasons as women, accompanied by cupids, with the path of the Zodiac behind them.

The massive twin mantles in the Great Hall are interpretations of a Renaissance mantle in the Salle des Gardes, in the Francis I wing of Château de Blois.

Dining and Dancing

The Library has walls lined with inset book cabinets whose original glass fronts have been replaced with wood panels. Walnut frames carved in a Renaissance style outline the cabinets and the ornamental plaster panels above. Below the ceiling cornice runs a plaster frieze molded with cupids and garlands. The original moldings and paint are still visible on the coffered ceiling.

Castle Dining Room - The walnut cabinetry and plaster friezes in the Library and the columns and caryatids and strapwork ceiling in the Dining room are inspired by interiors of the Château de Fontainebleau.
Castle Dining Room

The Dining Room lies beyond the Library. Here, there are classical Renaissance architectural elements in the walnut columns and caryatids that frame the wooden paneling of the walls and the mantelpiece. These, along with the strapwork ceiling, are reminiscent of interiors at Fontainebleau, Napoleon’s favorite of the French royal palaces. While glass doors at the far end of the room once opened into a circular conservatory on the south terrace, its deteriorating state, unfortunately, led to its removal in 1952.

A corridor leading west from the Dining Room toward the former location of the kitchens and servants’ hall gives access to the Breakfast Room. The walnut paneling of the room is covered by a narrow band of tapestry woven with scenes of a hunt. Overhead, painted canvas panels fill spaces between the ceiling beams. After the Castle had been finished, the room was enlarged with the present metal-and-glass extension onto the south terrace. The windows and sills of the original Breakfast Room were removed to provide a broad opening into the addition.

Mirror Room
Laura Minerva Korman Mirror Room

Behind the main stairway of the Great Hall, a sunken landing opens through massive sliding doors into the oak-paneled Billiard Room. On the north side of the Great Hall, near the Billiard Room, a small circular entryway with a domed and gilded ceiling leads into the Mirror Room. The estate’s ballroom, this entire room, was likely ordered as a package through a French firm: It was created in France and shipped to Glenside, accompanied by workers to install it. 

The ceiling depicts the four seasons as women, attended by cupids, floating against a sky cut by the path of the zodiac. Within the cove separating the walls from the ceiling runs a vine motif ornamented with cupids, long-necked birds, and female figures.

In 2020, Arcadia University dedicated the Laura Minerva Korman Mirror Room in memory of alumna and former trustee Laura M. Korman ’89, ’95M. 

Elegant and Eclectic

Castle Rose Room

A pair of sliding doors open from the Ballroom into the adjoining Rose Room. Here, the ornamentation is a composite of details typical of the later years of Louis XV’s reign. The grand stairway of the Great Hall rises to a landing where a large archway gives entrance to the Music Room. Each pier of the arch displays a single, large, mahogany panel carved with French Renaissance designs. The room’s ceiling was originally painted in Renaissance style, but only the painting in the spaces over the archway remains. Tapestries decorate the walls above the wainscoting of the Music Room. At the end, opposite the fireplace, is a piece depicting presumably Euterpe, the Greek Muse of Music. In the lower right corner of this tapestry is the signature “Baumgarten 1898.”

William Baumgarten and Company Inc. of New York City provided all of the tapestries throughout the house, as well as the ornamental painting on the ceilings and walls. Judging by signatures on the tapestries and carvings, the interior decoration of Grey Towers was complete by the fall of 1898.

Harrison now owned one of America’s great castles. With its 40 rooms, it also was one of the largest homes in the country. The eclecticism so popular at the time is well represented in Grey Towers’ architecture and interior decoration. The structure brought attention to Trumbauer, who launched a highly successful career that lasted into the early 20th century.

Harrison died in 1927. Two years later, Beaver College, located in Jenkintown, purchased Grey Towers from the family for $712,500. For years, classes were held in both Jenkintown and Glenside, but in 1962 the College transferred completely to the Grey Towers property. In October 1985, Grey Towers Castle was declared a National Historic Landmark, properly recognizing its architectural and historical significance.

The Grand Hall

Foyer stairs at the Grey Towers Castle.
Hero, Castle, grey towers castle, interior, grand hall, stairs, staircase

Two Caen stone mantles in the central Great Hall mimic a huge Renaissance mantle in the royal Château de Blois. At Grey Towers, the mantles’ royal emblems have been replaced by fleurs-de-lis, while the central escutcheon holds the coat-of-arms of Harrison’s father. The French Renaissance influence that clearly attracted Trumbauer also appears in many of the Castle’s principal rooms.

Today, Grey Towers Castle is a vital part of campus life. Select first-year students have an opportunity to spend their first year in traditional and suite-style dorms on the third floor. Downstairs, the Rose and Laura Minerva Korman Mirror Rooms frequently hold lectures, book readings, panel discussions, and Senior Capstone Presentations. Annual events like the Empty Bowl Benefit Dinner, dances, dinners, and memory nights, also take place. The Castle is home to administrative offices and conference rooms that hold meetings for campus organizations and student groups.

Home to More Than 50 gargoyles

Gargoyle on Greys Tower Castle
Greys Towers 1999 Gargoyle
A stone gargoyle
Grey Towers 1995c Gargoyle Porte-Cochere 185s
Gargoyle on Greys Tower Castle
Greys Towers 1999 Gargoyle
A stone gargoyle
Grey Towers 1995c Gargoyle Porte-Cochere 185s
/ 4

Gargoyle from the top of Grey Towers Castle.

Grey Towers 1995c Gargoyle

Grey Towers 1975c Gargoyle

Grey Towers 1995c Gargoyle Porte-Cochere

/ 4

Gargoyle from the top of Grey Towers Castle.

Grey Towers 1995c Gargoyle

Grey Towers 1975c Gargoyle

Grey Towers 1995c Gargoyle Porte-Cochere

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  • Email iconLisa Stepens stephensl@arcadia.edu
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